One calls himself a Prophet, indoctrinating his young followers with the idea that “there is no before.” The other identifies as an actor above all, guided to perform after latching onto the phrase “survival is insufficient.” In the end, they are both right and wrong about their chosen paths. It’s also about the ways in which Kirsten and Tyler, both children when they receive the titular comic, interpret the same piece of art (born from Miranda’s grief) in vastly different ways. Kirsten ( Mackenzie Davis) is wary of the community Tyler ( Daniel Zovatto), wants to destroy it-torching the Museum and burning Clark in the process.Īt its heart, Station Eleven is about the power of art during life’s most turbulent moments. It boasts a Museum of Civilization with artifacts from pre-pandemic life (karaoke machines! keyboards!) and a highly-regimented quarantine process for outsiders. The group is surrounded by a highly evolved society run by Clark and Elizabeth ( Caitlin FitzGerald), Arthur’s second wife. “Is this the Before?” Alex ( Philippine Velge), one of the troupe’s post-pandemic babies, asks. Moving forward to Year 20 of the pandemic, the Traveling Symphony has arrived at the airport for a one-night-only performance. Everyone inside the building is safe from the virus, but a plane of infected people sits on the tarmac outside, Clark tells her. Sealed in a Malaysian hotel room, she gets a call from Clark ( David Wilmot), an old friend of her recently-deceased ex-husband Arthur ( Gael Garcia Bernal), who is sequestered at Severn City Airport. At the onset of the pandemic, Miranda is dying from the same flu that will annihilate 99 percent of the world’s population. The series finale, “Unbroken Circle,” begins by sealing the fate of Miranda Carroll ( Danielle Deadwyler), the graphic novelist behind the Station Eleven comic. John Mandel’s bestselling novel and adapted by The Leftovers’ Patrick Somerville, sticks the landing-delivering an end that releases its characters’ pain without erasing their scars. But despite the odds, Station Eleven, based on Emily St. It’s tough enough to entice viewers to watch a show centered on a deadly pandemic as year two of our own rages on ending it in a way that offers hope without false platitudes or tidy lessons seemed nearly impossible. In a way, Station Eleven was designed to fail. Warning: spoilers for the Station Eleven finale ahead.
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